Natee Utarit's 'Optimism Is Ridiculous' Altarpieces Blend Renaissance Forms with Buddhist and Contemporary References

Over a span of four years, Thai artist Natee Utarit produced 12 expansive altarpieces, showcased at the Ayala Museum in Manila from February 18 to April 9, 2017. These pieces, which feature diptychs, triptychs, and polyptychs, fuse the structure of Renaissance Christian altarpieces with diverse elements, including Buddhist symbols and contemporary art influences. Utarit’s unique approach diverges from conventional altarpiece designs, offering intricate visual puzzles filled with varied references. Among the standout features are a Madonna veiled by 'Police Line Do Not Cross' tape and a skeleton adorned with a red turban. His artwork critiques Western colonialism while paying homage to Renaissance masters, employing classical techniques. The series includes The Silent Gateway, which juxtaposes serene visuals with chaotic elements. ArtReview Asia highlighted the exhibition in its Summer 2017 edition.