Natalie Rudd's 'Contemporary Art' Examines Accessibility and Contradictions in the Art World

Natalie Rudd's book 'Contemporary Art' questions who contemporary art serves, targeting novices with the premise that the public often misunderstands it. Published by Thames & Hudson, the softcover costs £12.99. Rudd explores whether art's opacity stems from artists, the public, or intermediaries, without assigning blame but hinting at capitalism's role and privilege. She includes profiles of artists like Sheila Hicks, born in the 1930s, and Zadie Xa, born in the 1980s, alongside thematic surveys with headings such as 'Why do artists tell tales?'. The book debates when contemporary art began, suggesting 2000 or the 1960s, and mentions modernism and minimalism without full explanations in the main text. Rudd notes a shift from representation to money in the 1980s, citing Larry Gagosian's Los Angeles gallery opening in 1980 as a key moment, followed by globalization. Each chapter offers activities like supporting local galleries, implying art requires effort to access. Rudd's message contrasts with a quote from Ugo Rondinone about feeling art rather than understanding it, highlighting contradictions. The book's small font and structure suggest it may exclude rather than include the general public, despite aiming to demystify the art world.