Naoshima and Teshima: Museum Islands in Japan
The article by Michael Jakob and Anna Stefi, published on doppiozero, explores the concept of museum islands in Japan, specifically Naoshima and Teshima. It draws a parallel between contemporary art tourism and the historical Grand Tour of the 17th century, which was driven by aesthetic experiences. The authors suggest that current geopolitical tensions have fueled a form of extreme tourism guided by an aesthetic ideology, with many travelers seeking out these art-dedicated islands as an antidote to global crises. The text reflects on how art shapes travel and perception, positioning Naoshima and Teshima as modern destinations where art and landscape merge.
Key facts
- Article by Michael Jakob and Anna Stefi
- Published on doppiozero
- Date: 26/07/2026
- Focus on Naoshima and Teshima islands in Japan
- Compares contemporary art tourism to the Grand Tour
- Grand Tour began in late 17th century
- Grand Tour involved experiencing classical beauty of Italy
- Artists like Domenichino, Claude Lorrain, and Nicolas Poussin influenced Grand Tour perceptions
- Current geopolitical situation drives extreme tourism
- Tourism described as hetero-directed by an aesthetic ideology
Entities
Artists
- Michael Jakob
- Anna Stefi
- Domenichino
- Claude Lorrain
- Nicolas Poussin
Institutions
- doppiozero
Locations
- Naoshima
- Teshima
- Japan
- Italy