ARTFEED — Contemporary Art Intelligence

Naeem Mohaiemen's Films Explore Leftist History Through Archival Snapshots

artist · 2026-04-20

In 2017, Naeem Mohaiemen, a filmmaker from Bangladesh, showcased two films, Tripoli Cancelled and Two Meetings at a Funeral, at Documenta 14. His 2016 project, Volume Eleven (flaw in the algorithm of cosmopolitanism), was also displayed alongside Tripoli Cancelled at MoMA PS1 until March 11. Mohaiemen, who operates from both Dhaka and New York, focuses on the international left through his films, essays, sculptures, and photographs. His 2011 work, The Young Man Was (Part 1: United Red Army), incorporates audio from negotiations during a 1973 hijacking by the Japanese Red Army at Dhaka airport. Additionally, his 2007 piece, Sartre Kommt nach Stammheim, explores a meeting between Jean-Paul Sartre and Andreas Baader, while his 2010 photo work is titled I Have Killed Pharaoh and I'm Not Afraid to Die.

Key facts

  • Naeem Mohaiemen presented films at Documenta 14 in 2017
  • His work was exhibited at MoMA PS1 through March 11
  • He is based in Dhaka and New York
  • His practice studies the international left through historical incidents
  • The Young Man Was (Part 1: United Red Army) is from 2011
  • The film uses 1973 hijacking audio from Dhaka airport
  • Mohaiemen watched the hijacking on TV as a child in Dhaka
  • Sartre Kommt nach Stammheim examines a 1974 meeting

Entities

Artists

  • Naeem Mohaiemen
  • Jean-Paul Sartre
  • Andreas Baader

Institutions

  • Documenta 14
  • MoMA PS1
  • Sharjah Biennial
  • Momentum Biennial
  • ArtReview
  • Japanese Red Army
  • Red Army Faction

Locations

  • Dhaka
  • Bangladesh
  • New York
  • United States
  • Tripoli
  • Libya
  • Stammheim
  • Germany
  • Japan

Sources