ARTFEED — Contemporary Art Intelligence

Museums as Educational Models: Rethinking Priorities Post-COVID

opinion-review · 2026-04-27

The COVID-19 pandemic has forced cultural institutions to reconsider their core mission, with education emerging as the central necessity. Drawing a parallel to García Márquez's 'Love in the Time of Cholera,' the article argues that just as the disease stripped away non-essentials, the virus has exposed the fragility of museums' traditional metrics—visitor numbers, ticket sales, and exhibition frenzies. Instead, institutions have pivoted to free online content, largely educational, echoing the etymology of 'education' as 'drawing out' what is hidden. The crisis has highlighted the need to integrate museums with the school system, leveraging Italy's vast artistic heritage and radical educational models. The author calls for a new infrastructure that values digital heritage and democratizes art history access, moving beyond superficial entertainment. The museum's role as a 'school' and 'platform' is reaffirmed, with curators now focusing on public engagement and storytelling. The article suggests that the pandemic offers an opportunity to realize Herbert Read's 1943 vision of 'Education through Art,' where museums become essential services rather than exhibition venues. The challenge lies in integrating education into museum practice without subordinating it to market trends or curatorial whims.

Key facts

  • COVID-19 forced closure of most cultural institutions in the Western world.
  • Museums shifted to free online content, mostly educational.
  • The article references García Márquez's 'Love in the Time of Cholera' as a metaphor.
  • Herbert Read's 1943 'Education through Art' is cited as a foundational concept.
  • The author argues that museums must integrate with the school system.
  • Traditional museum metrics (visitor numbers, ticket sales) have been abandoned during the crisis.
  • The museum is described as a 'school,' 'platform,' 'memory,' and 'community.'
  • The article was published on Artribune in April 2020.
  • The author is an art and architecture historian, PhD, lecturer at Bocconi University, and curator of the Public Program at Triennale Milano.
  • The piece calls for a new digital valorization of cultural heritage.

Entities

Artists

  • Bruno Munari
  • Herbert Read
  • Gabriel García Márquez

Institutions

  • Artribune
  • Triennale Milano
  • Bocconi University
  • OGR Torino

Locations

  • Italy
  • Colombia
  • Milano

Sources