Musée d'Orsay's Photography Collection Explored in New Album
A new album published by Flammarion showcases the Musée d'Orsay's rich collection of photographs from the second half of the 19th century, with selections by leading art historians. The museum's focus on the birth of photography as an art form is highlighted, noting initial resistance from artistic circles like the Académie des beaux-arts, which eventually gave way to recognition. Technical innovations such as the calotype and paper-based processes, along with interest from notable amateurs like Victor Hugo, aided this acceptance. Early photographers turned their lenses to nature, the nude female body, architecture, cities, and battlefields, establishing both art photography and photojournalism. Many works in the collection are by anonymous creators, but the album gives significant attention to pioneer Eugène Atget.
Key facts
- Album published by Flammarion
- Features Musée d'Orsay's 19th-century photography collection
- Presented by leading art historians
- Initial resistance from Académie des beaux-arts
- Technical innovations: calotype, paper support, silver-based processes
- Victor Hugo was an early amateur enthusiast
- Early subjects: nature, nude female body, architecture, cities, battlefields
- Eugène Atget is prominently featured
Entities
Artists
- Eugène Atget
- Victor Hugo
- Jacques Henric
Institutions
- Musée d'Orsay
- Flammarion
- Académie des beaux-arts
Locations
- Paris
- France
Sources
- artpress —