MUNCH Triennale 'Almost Unreal' Explores Blurred Realities Through Historical and Emerging Technologies
In 2025, the second MUNCH Triennale, titled 'Almost Unreal,' was inaugurated, delving into the indistinct boundaries between reality and illusion. Co-organized by Mariam Elnozahy, the guest curator, and Tominga O'Donnell, the event showcases the work of over twenty artists who utilize technologies such as machine learning and holograms. Notably, Icaro Zorbar's installation 'The Pace of Time' focuses on the present moment, while Ann Lislegaard presents a 3D animated version of Yvonne Rainer's 'Trio A.' Works by Charlotte Johannesson from 1977 and 2019 highlight ongoing issues. Natasha Tontey's 'Macho Mystic Meltdown: Oikouménē' incorporates outdated technologies, and Mazenett Quiroga links mining with digital infrastructure. The exhibition features blue walls and Simone Forti's hologram 'Huddle.' McKenzie Wark's keynote speech tackled cultural pressures, touching on themes of techno-fascism and Norway's oil economy.
Key facts
- The second MUNCH Triennale 'Almost Unreal' opened in 2025
- Co-organized by Tominga O'Donnell and guest curator Mariam Elnozahy
- Features works from over twenty artists using historical and emerging technologies
- Includes Icaro Zorbar's 2025 installation 'The Pace of Time'
- Ann Lislegaard reinterprets Yvonne Rainer's 1966 performance through 3D animation
- Charlotte Johannesson's works span from 1977 to 2019 across different technologies
- Exhibition design uses blue walls evoking computer error screens
- McKenzie Wark delivered a keynote during the opening program
Entities
Artists
- Icaro Zorbar
- Ann Lislegaard
- Yvonne Rainer
- Charlotte Johannesson
- Natasha Tontey
- Mazenett Quiroga
- Emilija Škarnulytė
- Simone Forti
- Infopsin
Institutions
- MUNCH
- Afterall
- NoteBook
- Judson Memorial Church
- Whitney
- Munchmuseet
Locations
- Norway
- New York
- Amazon
- Baltic Sea
Sources
- Afterall —