ARTFEED — Contemporary Art Intelligence

Munch's The Scream: History, Versions, and Meaning Explored

exhibition · 2026-04-26

A lithographic version of Edvard Munch's The Scream is on view at Palazzo Reale in Milan as part of a major exhibition on the artist opening in autumn 2024. The loan from the Munch Museum in Oslo reproduces the 1895 pastel version. The article traces the work's genesis to a walk around 1889 on Ekberg hill near Oslo, where Munch experienced a sky turning blood red, described in a poem on the 1895 frame. There are about fifty versions of The Scream, including four principal ones: a pastel on cardboard (1893), an oil painting (1893, now at the National Museum in Oslo), a pastel on paper (1895, sold at Sotheby's in 2012 for $120 million), and a tempera on panel (1910). The first public showing was at the 1902 Berlin Secession. The figure's serpentine features may be inspired by a Peruvian mummy from Cuzco seen at the Musée du Trocadéro in Paris. The style uses contrasting curved and rigid brushstrokes to convey despair, with two distant men symbolizing bourgeois insensitivity. The work reflects fin-de-siècle pessimism and Freudian studies of the psyche.

Key facts

  • A lithographic version of The Scream is exhibited at Palazzo Reale in Milan in autumn 2024.
  • The lithograph is a loan from the Munch Museum in Oslo.
  • The Scream was inspired by a walk around 1889 on Ekberg hill near Oslo.
  • Munch described the experience in a poem on the frame of the 1895 version.
  • There are about fifty versions of The Scream, including four principal ones.
  • The first principal version is a pastel on cardboard from 1893.
  • The second is an oil painting from 1893 at the National Museum in Oslo.
  • The third version, a pastel on paper from 1895, sold at Sotheby's in 2012 for $120 million.
  • The fourth version is a tempera on panel from 1910.
  • The first public exhibition of The Scream was at the 1902 Berlin Secession.
  • The figure's features may be inspired by a Peruvian mummy from Cuzco seen at the Musée du Trocadéro in Paris.
  • The style uses contrasting curved and rigid brushstrokes.
  • Two distant men in the painting symbolize bourgeois insensitivity.
  • The work reflects fin-de-siècle pessimism and Freudian studies.

Entities

Artists

  • Edvard Munch

Institutions

  • Palazzo Reale
  • Munch Museum
  • National Museum of Oslo
  • Sotheby's
  • Berlin Secession
  • Musée du Trocadéro

Locations

  • Milan
  • Italy
  • Oslo
  • Norway
  • Ekberg
  • Cuzco
  • Peru
  • Paris
  • France

Sources