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Mori Art Museum's 'Catastrophe and the Power of Art' Examines Disaster Through 40 Artists

exhibition · 2026-04-20

Between October 6, 2018, and January 20, 2019, the Mori Art Museum in Tokyo hosted an exhibition titled 'Catastrophe and the Power of Art,' showcasing the work of 40 artists. This display explored how art reacts to significant disasters, including the events of 9/11, the Fukushima Daiichi nuclear disaster, and the global financial crisis. Notable pieces included Thomas Hirschhorn's 'Collapse' (2014), Miroslaw Balka's 'Soap Corridor' (1993/2018), and Takeda Shimpei's 'Trace' series (2011). Additionally, Wolfgang Staehle's 'Untitled (09–11–2001)' (2001) and Hirakawa Kota's 'Black colour timer' (2016–17) were part of the collection. The latter part of the exhibition emphasized reconstruction, featuring Shigeru Ban's 'Scale Model of Transitional Cathedral, Christchurch, New Zealand' (2011) and Yoko Ono's 'Add Color Painting (Refugee Boat)' (1960/2016).

Key facts

  • Exhibition ran from October 6, 2018, to January 20, 2019
  • Featured 40 artists and collectives
  • Held at Mori Art Museum in Tokyo
  • Explored art's response to disasters like 9/11 and Fukushima
  • Included Thomas Hirschhorn's 'Collapse' (2014) installation
  • Miroslaw Balka's 'Soap Corridor' referenced Nazi camps
  • Takeda Shimpei used contaminated Fukushima soil in photographs
  • Shigeru Ban presented cardboard cathedral model for Christchurch

Entities

Artists

  • Thomas Hirschhorn
  • Gilles Deleuze
  • Georges Bataille
  • Miroslaw Balka
  • Wolfgang Staehle
  • Hirakawa Kota
  • Gillian Wearing
  • Takeda Shimpei
  • Shigeru Ban
  • Hikaru Fujii
  • Yoko Ono
  • Koki Tanaka
  • Tatsuo Miyajima

Institutions

  • Mori Art Museum
  • ArtReview Asia
  • HYGO AID '95 by Art

Locations

  • Tokyo
  • Japan
  • Fukushima
  • Athens
  • Greece
  • Christchurch
  • New Zealand
  • Kobe

Sources