Monika Brandmeier's Neo-Minimalist Works at Galerie Polaris
Monika Brandmeier's exhibition at Galerie Polaris in Paris, from September 11 to October 9, presents works that initially appear neo-minimalist due to their orthogonal forms, simple volumes, and industrial materials. However, the artist challenges superficial formalist readings, urging viewers to move beyond retinal immediacy. Unlike the systematic minimalism of Donald Judd and Frank Stella, Brandmeier's pieces demand meticulous attention to detail, revealing a distinctly European sensibility. Her works often incorporate small, seemingly insignificant elements—such as a ten-ruble note wedged between components in "10 Rubbel" (2006) or an eraser glued to the wall to protect another piece, "Punkt" (2007), from accidental damage. The latter features a rotational mechanism that the artist prefers to keep inert, adding an absurdist charm. The exhibition showcases a convincing and diverse range of works that encourage movement and multiple viewpoints, rewarding careful observation.
Key facts
- Exhibition at Galerie Polaris, Paris, from September 11 to October 9.
- Monika Brandmeier's works appear neo-minimalist but challenge formalist readings.
- Works feature orthogonal forms, simple volumes, and industrial materials.
- Brandmeier contrasts with the systematic minimalism of Donald Judd and Frank Stella.
- Her works have a distinctly European sensibility.
- Includes piece '10 Rubbel' (2006) with a ten-ruble note.
- Includes piece 'Punkt' (2007) with an eraser glued to the wall.
- 'Punkt' has a rotational mechanism that Brandmeier prefers to keep inert.
Entities
Artists
- Monika Brandmeier
- Donald Judd
- Frank Stella
Institutions
- Galerie Polaris
Locations
- Paris
- France
Sources
- artpress —