Mônica Nador's Collective Art Practice Explored at ARTE!Brasileiros Seminar on Art and Class Struggle

The fifth ARTE!Brasileiros seminar examined the relationship between art and class struggle, questioning whether art without this dimension serves merely as decoration. Brazilian artist Mônica Nador's participatory practice, which operates under the principle that everyone can be an artist, was highlighted as a case study. The event specifically analyzed strategies of resistance against fascism through artistic means. Nador's collaborative approach transforms community members into active creators rather than passive observers. The seminar provided a platform for discussing the political boundaries and social responsibilities of contemporary art in Brazil. These discussions centered on how artistic practices can function as tools for social change and political engagement. The event positioned Nador's work as a practical example of art that actively engages with class consciousness. The gathering brought together critical perspectives on the necessary intersection of artistic production and social struggle.