MoMA's Rehang Confronts Institutional History with Diverse Artists and New Narrative Paths

On October 21, 2019, the Museum of Modern Art in New York unveiled its renovations, which included significant architectural and curatorial changes. The opening solo exhibitions spotlighted black artists Betye Saar and Michael Armitage. The permanent collection underwent a transformation to emphasize works by women and broaden the narratives presented. The temporary showcase 'Surrounds: 11 Installations' featured artists from around the globe. Curators merged previously distinct departments, notably reconfiguring the galleries from the 1880s to the 1940s. Among the notable adjustments was the placement of Faith Ringgold's 1967 piece 'American People Series #20: Die' next to Picasso's 'Les Demoiselles d'Avignon,' while early photography focused on Anna Atkins and Hippolyte Bayard. Amy Sillman's 'The Shape of Shape' challenged traditional display conventions. The renovations enhanced the museum's space and views, addressing its history of discrimination.