ARTFEED — Contemporary Art Intelligence

Mohamed Ahmed Ibrahim's Embryonic Coat at Lawrie Shabibi

exhibition · 2026-04-22

Lawrie Shabibi presents Embryonic Coat, Mohamed Ahmed Ibrahim's third solo exhibition, running concurrently with his major installation Between Sunrise and Sunset at the 59th Venice Biennale for the National Pavilion UAE. The exhibition features new paintings titled My Garden's Details, inspired by the plants in his home studio garden, alongside recent papier-maché sculptures including Standing Bodies—five large-scale semi-figurative works. Ibrahim's practice explores memory, perception, and organic growth through intuitive repetition and automatic object-making. The sculptures incorporate materials like leaves, grass, tea, coffee, or tobacco to achieve natural tones. The exhibition underscores the mutability of his visual language, with interchangeable titles and forms ranging from trees to robots. Ibrahim emphasizes the viewer's role in interpreting his ciphers, allowing freedom to read them as story, poetry, or meditation.

Key facts

  • Mohamed Ahmed Ibrahim was born in 1962 in the UAE.
  • Embryonic Coat is his third solo exhibition at Lawrie Shabibi.
  • The exhibition runs concurrently with his installation Between Sunrise and Sunset at the 59th Venice Biennale.
  • Between Sunrise and Sunset is a room-filling sculpture made from 128 abstract and organic elements in papier-maché.
  • The new painting series My Garden's Details focuses on plants from his home studio garden.
  • Standing Bodies includes five large-scale semi-figurative sculptures.
  • Ibrahim uses materials like leaves, grass, tea, coffee, or tobacco in his sculptures.
  • The exhibition explores the conception of known, experienced, or imagined forms within rudimentary shapes.

Entities

Artists

  • Mohamed Ahmed Ibrahim

Institutions

  • Lawrie Shabibi
  • National Pavilion UAE
  • La Biennale di Venezia

Locations

  • UAE
  • Venice
  • Italy

Sources