Mladen Miljanović's 'At the Edge' Exhibition at acb Gallery, Budapest, 2014
Bosnian artist Mladen Miljanović presented his solo exhibition 'At the Edge' at acb Gallery in Budapest from June 6 to July 17, 2014, curated by Tijana Stepanović. The show featured works exploring geopolitical and existential boundaries, including the performance series 'At the Edge' (2008- ), where Miljanović suspends himself from gallery buildings, and 'I Serve Art' (2006-2007), documenting a nine-month confinement in a former military barracks in Banja Luka, Bosnia-Herzegovina. Miljanović, a former military trainee, uses ironic, militant aesthetics to critique art institutions and cultural politics. The exhibition highlighted his engagement with post-communist contexts, notably in Hungary, where state funding cuts have marginalized politically critical art. Key works included 'Do You Intend to Lie to Me?' (2011), a film hybridizing reality and fiction, and 'We Love Freedom of Form' (2010), an activist manifesto engraved on granite. Miljanović's 'The Garden of Delights' (2013), shown at the 2013 Venice Biennale, deconstructs Balkan stereotypes through a triptych engraved on black granite. The artist's work addresses themes of heroism, autonomy, and the intersection of art and life, reflecting on the Bosnian Serb Republic's nationalist climate and global capital.
Key facts
- Mladen Miljanović's solo exhibition 'At the Edge' ran from June 6 to July 17, 2014 at acb Gallery in Budapest.
- Curator Tijana Stepanović organized the show, reflecting on Hungary's cultural policy pushing critical art to the periphery.
- Miljanović is a Bosnian artist and former military trainee, known for works like 'Artattack' (2007) and 'I Serve Art' (2006-2007).
- The exhibition featured the performance series 'At the Edge' (2008- ), where Miljanović suspends himself from gallery buildings.
- 'Do You Intend to Lie to Me?' (2011) is a film documenting the interrogation of Miljanović's mentor Veso Sovilj by Bosnian Serb police.
- Miljanović's 'The Garden of Delights' (2013) was presented at the 2013 Venice Biennale, paraphrasing Hieronymus Bosch's triptych.
- The artist uses engraved granite slabs in works like 'We Love Freedom of Form' (2010) and 'Monumental Fragmentation' (2010).
- Miljanović's art critiques post-communist contexts, with references to figures like Alain Badiou, Slavoj Žižek, and Emir Kusturica.
Entities
Artists
- Mladen Miljanović
- Sándor Hornyik
- Tijana Stepanović
- Veso Sovilj
- Hieronymus Bosch
- Peter Bürger
- Keith Moxey
- Norman Bryson
- Michael Ann Holy
- Emir Kusturica
- Maria Todorova
- Edward Said
- Walter Mignolo
- Hal Foster
- Slavoj Žižek
- Alain Badiou
Institutions
- acb Gallery
- Venice Biennale
- Academy of Arts Banja Luka
- Suhrkamp
- Wesleyan UP
- Oxford UP
- Penguin
- MIT Press
- Lacanian Ink
Locations
- Budapest
- Hungary
- New York
- London
- Venice
- Bosnia-Herzegovina
- Banja Luka
- Republika Srpska
- Bosnian Serb Republic
- Serbia
- Srebrenica
- Cannes
- Frankfurt am Main
- Hanover
- Oxford
- Cambridge