Miriam Schapiro's Feminist Essay 'Femmage' Revisited Following Her Death at 91
Miriam Schapiro, an influential artist born in Canada and a prominent figure in the Pattern & Decoration movement, died on June 20 at the age of 91. In 1978, she co-wrote the significant essay 'Femmage' with Melissa Meyer, published in Heresies: Women’s Traditional Arts: The Politics of Aesthetics. This work, now available in facsimile, examines the reasons behind women's creation of collages, a subject Meyer introduced at a 1977 meeting in Joyce Kozloff's loft. Following that event, Schapiro began their collaboration, during which she and critic Grace Glueck coined the term 'Femmage.' Meyer remembers Schapiro as a dynamic collaborator whose strong work ethic inspired others, highlighting the personal and professional growth from their partnership. Schapiro initially gained fame in the late 1950s and 1960s through her hard-edge abstract geometric paintings, and the essay's relevance today underscores her enduring influence on feminist art.
Key facts
- Miriam Schapiro died on June 20 at age 91
- She was a Canadian-born artist and pioneer in the Pattern & Decoration movement
- Schapiro co-authored the essay 'Femmage' with Melissa Meyer
- The essay was first published in 1978 in Heresies: Women’s Traditional Arts: The Politics of Aesthetics
- Melissa Meyer proposed the topic of women's collage at a 1977 meeting in Joyce Kozloff's loft
- The term 'Femmage' was coined by Schapiro and Grace Glueck during the collaboration
- Schapiro gained early fame in the late 1950s and 1960s with hard-edge abstract geometric paintings
- The essay remains anthologized and relevant to contemporary artists and students
Entities
Artists
- Miriam Schapiro
- Melissa Meyer
- Joyce Kozloff
- Grace Glueck
- Nina Yankowitz
- Judy Chicago
Institutions
- Heresies Collective
- California Institute of the Arts
- MOCA LA
Locations
- Canada
- Toronto
- Valencia
- United States