Mira Schor's 'The Red Tie Paintings' at Lyles & King through January 7, 2018

Mira Schor's exhibition 'The Red Tie Paintings' at Lyles & King features small-scale works on paper that blend personal catharsis with political critique. The artist describes her process as a daily response to distressing news, using ink and gouache to create allegorical images with symbolic red and black palettes. Among the depicted elements are limp phalluses, a melting swastika, and eyes that double as bleeding vaginas, alongside references to the Owl of Minerva and an animated necktie reminiscent of William Kentridge's style. Schor channels influences from artists like Charlotte Salomon, Nancy Spero, and Sue Coe, merging poetic expression with therapeutic and agitprop functions. The show is on view until January 7, 2018, at 106 Forsyth Street at Broome Street in New York City, presenting a suite of works that oscillate between lyrical fury and shamanic urgency.