ARTFEED — Contemporary Art Intelligence

Mind Upon Mind: Making Tenons Pop

other · 2026-08-06

In a recent installment of Lost Art Press's 'Mind Upon Mind' series, woodworker Nick Stanchenko shares a technique for enhancing the appearance of tenons using cyanoacrylate (CA) glue. The series, inspired by a 1937 'Chips from the Chisel' column by Charles H. Hayward, invites readers to submit their own improvements to projects from Lost Art Press books. Stanchenko discovered that while CA glue is commonly used to fill small holes, it also darkens end grain significantly, creating a striking contrast that he now embraces. He recommends applying a thin, even layer of CA glue across the tenon to avoid streaks, and notes that it can be used to fill gaps around the tenon, with excess scraped away later. However, he cautions against using this technique on deeply scooped seats where exposed end grain around leg mortises could be stained. The effect is hard to undo, so he advises trying it on less important pieces first. The article includes photos comparing tenons with and without the CA glue treatment, and references chairs made from European beech finished with eight coats of shellac. Stanchenko's tip was submitted via email to Kara Gebhart Uhl, the editor, and is part of an ongoing series that encourages woodworkers to share their innovations.

Key facts

  • Nick Stanchenko shares a technique using CA glue to darken tenon end grain.
  • The 'Mind Upon Mind' series is inspired by a 1937 'Chips from the Chisel' column by Charles H. Hayward.
  • CA glue is typically used to fill small holes but also darkens end grain significantly.
  • Stanchenko recommends applying a thin, even layer of CA glue across the tenon.
  • The technique can fill gaps around tenons, with excess scraped away later.
  • Avoid using on deeply scooped seats to prevent staining exposed end grain around leg mortises.
  • The effect is hard to undo, so caution is advised on important pieces.
  • The example chairs are made from European beech and finished with eight coats of shellac.

Entities

Artists

  • Nick Stanchenko
  • Charles H. Hayward

Institutions

  • Lost Art Press

Sources