Miklós Erdély's Hidden Green exhibition analyzed through neo-avant-garde and utopian theory
An article by Eszter Bartholy, published on June 10, 2022, examines Miklós Erdély's exhibition Hidden Green, drawing from an interview with the Hungarian neo-avant-garde artist. Bartholy's analysis reveals how Erdély merges ars poetica with art theory, directly engaging with utopia and art's social role. The text interprets Hidden Green as connecting Hungarian popular and folk culture, Marxist aesthetic theories of utopia, and paradoxes in modern natural sciences. Through a virtual dialogue with thinkers like Ernst Bloch, Kurt Gödel, and Allan Kaprow, Erdély and Bartholy make categorical claims about art and social theory. The article appears in ARTMargins, Volume 11, Issue 1-2, pages 94-101, and is available via MIT Press with full access. This publication highlights Erdély's use of neo-avant-garde montage techniques to confront diverse cultural and theoretical elements.
Key facts
- The article was published on June 10, 2022
- Miklós Erdély is a significant Hungarian neo-avant-garde artist
- Eszter Bartholy's analysis is based on an interview with Erdély
- Hidden Green combines ars poetica and art theory
- The exhibition reflects on utopia and art's social function
- Thinkers referenced include Ernst Bloch, Kurt Gödel, and Allan Kaprow
- The article connects Hungarian popular culture, Marxist aesthetics, and scientific paradoxes
- It appears in ARTMargins, Volume 11, Issue 1-2, pages 94-101
Entities
Artists
- Miklós Erdély
- Eszter Bartholy
- Allan Kaprow
Institutions
- ARTMargins
- MIT Press
Locations
- Hungary