Mike Nelson's Brexit-Era Installation at Tate Britain
Mike Nelson's installation 'The Asset Strippers' opened at Tate Britain's Duveen Gallery ten days before the original March 29 Brexit deadline, which was later postponed. The show runs until October 6, 2019, just before the Halloween deadline. Nelson transformed the neoclassical gallery into a dark, labyrinthine space filled with industrial machinery—lathes, cement mixers, tractors, sewing machines—sourced from liquidation websites. The work critiques Britain's industrial decline and the rise of a service economy, drawing parallels between the Victorian era of industrialists and today's wealthy patrons. Nelson notes that sculptures began to resemble machines and vice versa in the 20th century. The installation evokes nostalgia and criticism of a society that abandoned manufacturing. Nelson warns of a 'new Victorian era of rich patrons, vanity, and inequality.' The title 'The Asset Strippers' refers to the liquidation process, hinting at post-Brexit uncertainties. The work was dismantled after the exhibition.
Key facts
- Installation opened ten days before March 29, 2019 Brexit deadline
- Exhibition runs until October 6, 2019
- Duveen Gallery transformed into dark, labyrinthine space
- Industrial machinery sourced from liquidation websites
- Critiques decline of manufacturing and rise of service economy
- Nelson warns of 'new Victorian era of rich patrons'
- Title refers to asset strippers and liquidation
- Work dismantled after exhibition
Entities
Artists
- Mike Nelson
Institutions
- Tate Britain
- Artribune
Locations
- Loughborough
- United Kingdom
- London
- Millbank
- Midlands
- Europe