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Michelangelo Pistoletto Returns to China with 'Oltre lo Specchio'

exhibition · 2026-05-04

At 85, Michelangelo Pistoletto (Biella, 1933) opened his solo exhibition 'Oltre lo Specchio' at Galleria Continua in Beijing with a performance where he smashed a mirror with a wooden hammer, a gesture he first performed at the 2008 Yokohama Triennale and reprised at the 2009 Venice Biennale. The shattered mirror evoked the shape of China, amplified by a red background and the Chinese audience's symbolic interpretation. The exhibition presents a journey through Pistoletto's mirror works: on the ground floor, large self-reflecting installations explore division and multiplication; on the second floor, 'Autoritratti specchianti' (self-portraits on mirrored steel) from 1962-63 engage viewers in a collective self-portrait; on the third floor, 'Metrocubo d'infinito' (a one-meter cube of six mirrors) creates a finite space that Pistoletto calls 'infinity minus one'. The artist lectured at the Central Academy of Fine Arts in Beijing, explaining that breaking mirrors multiplies them. The exhibition runs until October 21, 2018, at Galleria Continua, 2 Jiuxianqiao Rd, Chaoyang Qu.

Key facts

  • Michelangelo Pistoletto (born 1933) performed a mirror-smashing opening for his solo show 'Oltre lo Specchio' at Galleria Continua, Beijing.
  • The performance involved a wooden hammer breaking a mirror, a gesture first done at the 2008 Yokohama Triennale and repeated at the 2009 Venice Biennale.
  • The shattered mirror's shape was interpreted as resembling China, with a red background enhancing the symbolism.
  • The exhibition includes large self-reflecting installations, 'Autoritratti specchianti' from 1962-63, and 'Metrocubo d'infinito'.
  • Pistoletto lectured at the Central Academy of Fine Arts in Beijing, discussing mirror multiplication and division.
  • The show runs until October 21, 2018, at Galleria Continua, 2 Jiuxianqiao Rd, Chaoyang Qu.
  • The exhibition explores themes of division, multiplication, and the inclusion of time in art, rooted in Arte Povera.
  • Pistoletto's mirror works collapse past, present, and future into a four-dimensional experience.

Entities

Artists

  • Michelangelo Pistoletto

Institutions

  • Galleria Continua
  • Central Academy of Fine Arts
  • Yokohama Triennale
  • Venice Biennale

Locations

  • Beijing
  • China
  • Biella
  • Yokohama
  • Venice
  • Chaoyang Qu

Sources