Michel Parmentier and the 1967 Radical Painting Manifesto
In 1967, a group of young artists declared that painting began with them, sparking controversy with their minimalist approach. Daniel Buren, Olivier Mosset, Michel Parmentier, and Niele Toroni collectively asserted this position after a decade dominated by Neo-Dadaist movements like Pop Art and Nouveau Réalisme. Their practice was reduced to essential elements, challenging established artistic norms. The artists' unified public stance represented a significant break from preceding trends. Their work provoked scandal through its radical simplicity and conceptual rigor. This collective declaration marked a pivotal moment in late 1960s French art, positioning these four figures as central to a new artistic discourse.
Key facts
- The year 1967 saw a group of young artists claim painting began with them
- Daniel Buren, Olivier Mosset, Michel Parmentier, and Niele Toroni formed this collective
- Their position emerged after a decade of Neo-Dadaist movements like Pop Art and Nouveau Réalisme
- The artists practiced a reduced, essential approach to painting
- Their collective manifestation created scandal in the art world
- The group asserted their position through unified public statements
- Their work represented a break from preceding artistic trends
- The controversy centered on their minimalist methodology
Entities
Artists
- Daniel Buren
- Olivier Mosset
- Michel Parmentier
- Niele Toroni
Institutions
- artpress
Sources
- artpress —