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Michel Nuridsany's 1980 Critique of Photography's Stagnation

publication · 2026-04-24

In a 1980 article for artpress, critic Michel Nuridsany assessed the state of photography, arguing that despite newfound institutional support—such as a dedicated section at the Biennale de Paris and a major presence at the Salon des Indépendants—the medium was creatively stagnant. He attributed this to the lingering influence of photo-clubs and a willful ignorance of contemporary art. Nuridsany praised artists like Bernard Faucon, Eva Klasson, and Christian Boltanski for pushing boundaries, but lamented that most photographers remained timid and self-satisfied. He noted that the public had grown, yet exhibitions offered little beyond reviving past glories, and the Arles festival had declined. Nuridsany called for cross-pollination between photography and painting, citing historical precedents from the 1920s when figures like László Moholy-Nagy and Man Ray freely exchanged ideas. The article was republished in December 2020 as part of an online archive series tied to the 2020-2021 dossier on the landmark exhibition "Ils se disent peintres, ils se disent photographes" (ARC/Musée d'art moderne de la Ville de Paris, 1980-1981).

Key facts

  • Article by Michel Nuridsany originally published in artpress n°40, September 1980.
  • Republished online in December 2020 as part of an archive series.
  • Nuridsany was curator of the exhibition 'Ils se disent peintres, ils se disent photographes' at ARC/Musée d'art moderne de la Ville de Paris (22 Nov 1980 – 4 Jan 1981).
  • The exhibition featured 35 artists or duos and was a milestone in merging photography and visual arts.
  • Nuridsany criticized the persistence of photo-club mentality and ignorance of contemporary art.
  • He praised artists like Bernard Faucon, Eva Klasson, Christian Boltanski, and others for innovative use of photography.
  • He noted the Biennale de Paris (1980) had a dedicated photography section for the first time.
  • The article references Pierre Bourdieu's 1965 study 'Un art moyen' on amateur photography.

Entities

Artists

  • Michel Nuridsany
  • Bernard Faucon
  • Eva Klasson
  • Gloria Friedmann
  • Tom Drahos
  • Sophie Calle
  • Sara Holt
  • Jacques Henri Lartigue
  • Robert Doisneau
  • Édouard Boubat
  • Christian Boltanski
  • Jean Le Gac
  • Michael Snow
  • Bernd Becher
  • Hilla Becher
  • Jan Groover
  • Boyd Webb
  • Barbara Leisgen
  • Michael Leisgen
  • Tim Head
  • Victor Burgin
  • Hamish Fulton
  • Michele Zaza
  • Jan Dibbets
  • Katharina Sieverding
  • Arnulf Rainer
  • James Collins
  • William Wegman
  • Erica Lennard
  • Eve Sonneman
  • Florence Henri
  • László Moholy-Nagy
  • André Kertesz
  • Raoul Hausmann
  • Man Ray
  • Brassaï
  • Sarkis
  • Hans Hartung
  • David Haxton
  • Bram van Velde
  • Nicéphore Niépce
  • Louis Daguerre
  • William Henry Fox Talbot
  • Pierre Bourdieu
  • Agathe Gaillard
  • Jean-Philippe Lecat
  • Georges Herscher
  • Claude Nori
  • Albert Champeaux

Institutions

  • artpress
  • ARC/Musée d'art moderne de la Ville de Paris
  • Biennale de Paris
  • Salon des Indépendants
  • Grand Palais
  • Musée d'Orsay
  • Centre Pompidou
  • Médiathèque de l'architecture et du patrimoine
  • Association des Amis de Jacques Henri Lartigue
  • Donation Jacques Henri Lartigue
  • Galerie Agathe Gaillard
  • Galerie Sonnabend
  • Galerie Bama
  • Galerie Durand-Dessert
  • Galerie Nancy Gillespie
  • Galerie Farideh Cadot
  • Éditions du Chêne
  • Contrejour
  • Créatis
  • Festival d'Arles
  • Prix Kodak de la critique

Locations

  • Paris
  • France
  • Arles
  • Chalon-sur-Saône
  • Toulouse
  • Prague
  • Vienna
  • Budapest
  • Moscow
  • Berlin
  • New York
  • Rome
  • Italy
  • Netherlands
  • Canada
  • Germany
  • Austria
  • England
  • United States

Sources