Meredith Monk retrospective Calling explores six decades of interdisciplinary sound and performance at Haus der Kunst

The Haus der Kunst in Munich is hosting a retrospective titled Calling, highlighting Meredith Monk's six-decade journey in which she utilizes her voice as an instrument devoid of conventional language. This exhibition features a blend of sound compositions along with elements of theater, film, and dance. Among the showcased pieces are experimental works from 1966 to 1979, including a 1977 video of her ensemble performing Quarry, which contemplates World War II and issues of intolerance. The immersive final room presents works like Dolmen Music (1981). A replica of Monk's New York loft displays her personal photographs, notes, and movement notation. The exhibition also includes Singing Suitcases (1998/2003) and inventive presentations of works like Juice (1969). It will be on view until March 3, alongside a concurrent exhibition at Oude Kerk in Amsterdam.