Melvin Edwards' Lynch Fragments series showcased at Alexander Gray Associates in 2012 exhibition
From November 2 to December 15, 2012, Melvin Edwards' welded-steel sculptures were featured at Alexander Gray Associates in New York City, focusing mainly on his "Lynch Fragments" series that originated in 1963. The exhibition highlighted significant pieces such as Texcali (1965), which reflects on the Watts Riots, and Nite Work (2012), showcasing tools that represent oppression and resistance. Other works included Ways of Steel (1988), which honors materiality, and the 90-inch To Listen (1990), characterized by a diagonal chain. Curtain for William and Peter (1969/2012) employed barbed wire and chains to convey themes of resistance. Edwards merges modernist design with historical context, utilizing steel to articulate social discontent and cultural ties.
Key facts
- Melvin Edwards exhibited at Alexander Gray Associates from November 2 to December 15, 2012
- The exhibition featured works from his "Lynch Fragments" series begun in 1963
- Edwards incorporates chains and farm tools resonant with Black American experience
- Texcali was created in 1965 during the Watts Riots
- Nite Work from 2012 includes tools like a wrench and saw
- To Listen (1990) is a nearly 90-inch tall stainless-steel work
- Curtain for William and Peter (1969/2012) uses barbed wire and heavy chains
- Edwards combines modernist aesthetics with historical implications
Entities
Artists
- Melvin Edwards
Institutions
- Alexander Gray Associates
Locations
- New York City
- United States
- Los Angeles