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Maximiliano Rosiles's Exuvia at Museo Universitario del Chopo explores migration through textile sculptures

exhibition · 2026-04-20

Maximiliano Rosiles showcases his inaugural significant solo exhibition, Exuvia, at the Museo Universitario del Chopo in Mexico City until March 5. The installation includes tubular sculptures crafted from white nylon netting, filled with discarded textiles, arranged symmetrically in the atrium. Grey sculptures are placed on shelves, while a vibrant display of hand-knitted pieces hangs in the background. The exhibition's title alludes to moulted skin, drawing inspiration from Gloria Anzaldúa's 1974 poem 'Reincarnation,' and delves into themes of shedding skin and renewal. After growing up in Texas and Guanajuato, Rosiles relocated to Mexico City due to the drug cartel presence in his hometown, blending formal beauty with political commentary on trauma in contemporary art.

Key facts

  • Exuvia is Maximiliano Rosiles's first major institutional solo exhibition
  • The exhibition runs through March 5 at Museo Universitario del Chopo in Mexico City
  • Sculptures are made from white nylon netting filled with discarded textile materials
  • The title references moulted skin or castoff exoskeletons
  • The work draws inspiration from Gloria Anzaldúa's 1974 poem 'Reincarnation'
  • Rosiles grew up moving between Texas and Guanajuato, Mexico
  • The artist recently moved to Mexico City after discovering Uriangato was overrun by cartels
  • The sculptures are intended to represent migrant bodies and burdens

Entities

Artists

  • Maximiliano Rosiles
  • Gloria Anzaldúa

Institutions

  • Museo Universitario del Chopo
  • American Apparel

Locations

  • Mexico City
  • Mexico
  • Rio Grande Valley
  • Texas
  • United States
  • Guanajuato
  • Uriangato

Sources