Max Weber's Late Paintings at Gerald Peters Gallery Highlight Mature Style and Jewish Themes
From November 13 to December 19, 2008, the Gerald Peters Gallery in New York City presented a collection of over 40 paintings and works on paper from the estate of Max Weber, emphasizing his creations from the 1930s through the 1950s. This exhibition did not include Weber's early Cubist pieces, instead showcasing still lifes, landscapes, and figure paintings that exemplify his mature style, shaped by influences from Cézanne and Picasso. Among the significant works were Woman Holding Tablet (1946) and Acrobats (1946), along with notable pieces like Farm House (1944), Rabbi with Hat (1953), Sign Carriers (1938), and Leaning Woman (1949). Weber, who lived from 1881 to 1961, was pivotal in Paris's art scene and created America's first Cubist paintings by 1912, later having a retrospective at MOMA in 1930.
Key facts
- Exhibition dates: November 13 to December 19, 2008
- Location: Gerald Peters Gallery, 24 East 78th Street, New York City
- Focus: Over 40 paintings and works on paper from Max Weber's estate, covering 1930s-1950s
- Themes: Working-class struggles, family life, Jewish heritage
- Influences: Cézanne and Picasso
- Notable works: Woman Holding Tablet (1946), Acrobats (1946), Farm House (1944), Rabbi with Hat (1953)
- Weber's early achievements: First American Cubist paintings in 1912, first museum show at Newark Museum in 1913
- Weber's roles: Director of Society of Independent Artists in 1918, chairman of American Artists' Congress in late 1930s
Entities
Artists
- Max Weber
- John Marin
- Marsden Hartley
- Gertrude Stein
- Matisse
- Henri Rousseau
- Picasso
- Arshile Gorky
- Rouault
Institutions
- Gerald Peters Gallery
- Newark Museum
- MOMA
- Society of Independent Artists
- American Artists' Congress
Locations
- New York City
- United States
- Paris
- France