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Max Porter's 'The Death of Francis Bacon' Explores Painting Through Literary Form

publication · 2026-04-20

Max Porter’s 'The Death of Francis Bacon' delves into the final moments of the artist, presented through eight scenes resembling paintings. Each section begins with Bacon welcoming a guest and concludes with his nurse urging him to take a break, intertwining morphine-fueled visions with reminiscences. The story weaves together hallucinations, dialogues, and historical allusions, prompting readers to distinguish between reality and Bacon's tumultuous mind. Porter's expressive style mirrors Bacon's artistic approach, employing literary techniques such as alliteration and disjointed formats. Among the characters are Sister Mercedes, who reads about martyred monarchs, and various visitors, including the author himself. Released by Faber & Faber in 2023, this work continues Porter's exploration of 'unfashionable' cultural icons.

Key facts

  • Max Porter authored 'The Death of Francis Bacon'
  • The book structures eight scenes as paintings depicting Bacon's final days
  • Sister Mercedes serves as Bacon's nurse and tormentor
  • John Berger criticized Bacon as a 'brilliant stage manager' rather than original artist
  • Bacon's Soho studio was reconstructed by Dublin's Hugh Lane Gallery
  • The book references Bacon's obsessions with Picasso and Mussolini photographs
  • Porter previously wrote 'Grief is the Thing with Feathers' about Ted Hughes in 2015
  • Faber & Faber published the work

Entities

Artists

  • Max Porter
  • Francis Bacon
  • Ted Hughes
  • Picasso
  • Velázquez
  • John Berger
  • Alice Coltrane

Institutions

  • Faber & Faber
  • Hugh Lane Gallery
  • ArtReview

Locations

  • Dublin
  • Ireland
  • Soho
  • London
  • United Kingdom

Sources