Max Kozloff's First Painting Exhibition at DC Moore Gallery Explores Deafness and Musical Brushstrokes
DC Moore Gallery presents Max Kozloff's debut painting exhibition titled "Max Kozloff: The Atmospherics of Interruption" through January 26. The show features works like "Creatures from the Orange Lagoon" (2002), an oil on linen measuring 38 x 48 inches. Kozloff, primarily known as an influential art critic and photographer, has turned to painting as a private interest that intensified later in life. He explains this shift as compensation for increasing deafness, describing brushstrokes as having musical import within indefinite space. His paintings reveal influences from diverse mentors including George Inness, Philip Guston, Cy Twombly, and Pierre Bonnard while maintaining his unique sensibility. The Art Institute of Chicago previously celebrated his dual contributions to criticism and photography with a 2013 exhibition. Located at 535 West 22nd Street, this current display marks his first public presentation in this medium.
Key facts
- Max Kozloff's debut painting exhibition is at DC Moore Gallery
- Exhibition title: Max Kozloff: The Atmospherics of Interruption
- Show runs through January 26
- Kozloff is primarily known as an art critic and photographer
- He turned to painting as compensation for increasing deafness
- He describes brushstrokes as having musical import
- Works show influences from George Inness, Philip Guston, Cy Twombly, and Pierre Bonnard
- Featured work: "Creatures from the Orange Lagoon" (2002), oil on linen, 38 x 48 inches
Entities
Artists
- Max Kozloff
- George Inness
- Philip Guston
- Cy Twombly
- Pierre Bonnard
- David Cohen
Institutions
- DC Moore Gallery
- Art Institute of Chicago
- artcritical
Locations
- 535 West 22nd Street
- Chicago
- United States