Matteo Capobianco on the Intersection of Street Art, Design, and Scenography
Matteo Capobianco, known as Ufocinque, discusses his paper installations that bridge street art, design, and scenography. He emphasizes a rigorous design process followed by instinctive execution, where paper is cut and layered to create three-dimensional forms from two-dimensional planes. His work prioritizes material economy and contextual sensitivity, aiming for a near-dematerialization through minimal use of paper and reliance on light. The artist describes his practice as transversal, integrating street art's invitation for audience participation, design's operational tools, and scenography's spatial study. He notes that viewers often move cautiously through his installations, describing them as dreamlike and playful. The interview was conducted by Davide Dal Sasso and published on Artribune.
Key facts
- Matteo Capobianco works under the name Ufocinque.
- His installations use cut paper to create three-dimensional forms from two-dimensional planes.
- He follows a rigorous design process but allows instinct to guide the cutting phase.
- Material economy is central: he uses minimal paper to maximize spatial impact.
- Light is essential to the work, enabling the perception of the installation.
- His practice is transversal, combining street art, design, and scenography.
- Viewers often describe the installations as dreamlike, fairy-tale, and playful.
- The interview was conducted by Davide Dal Sasso and published on Artribune.
Entities
Artists
- Matteo Capobianco
- Ufocinque
- Davide Dal Sasso
Institutions
- Artribune
Locations
- Milan
- Italy
- Mexico City
- Mexico