Massimo De Carlo on the Future of Art Dealing
In an interview with Artribune, gallerist Massimo De Carlo reflects on his career, the importance of Genius Loci, and the future of the art world. De Carlo opened his Milan gallery in 1987, initially working as a pharmacist at night. He describes the gallerist as a 'seismograph' synthesizing the spirit of the time through artists' voices. His gallery spaces include Casa Corbellini-Wassermann in Milan, a Clifford Street location in London, Tai Kwun in Hong Kong, and a space on rue de Turenne in Paris, all chosen for their distinctive architecture and history as an antidote to the white cube. De Carlo emphasizes the sacredness of places like Chiaravalle Abbey, Rothko Chapel, and Kolumba Museum. He predicts a 'gaseous' future requiring a rethinking of humanity's relationship with the planet and greater use of technology to expand dialogue beyond the art system.
Key facts
- Massimo De Carlo opened his gallery in Milan in 1987.
- He initially worked as a pharmacist at night to support the gallery.
- De Carlo describes the gallerist as a 'seismograph'.
- His gallery spaces include Casa Corbellini-Wassermann in Milan, Clifford Street in London, Tai Kwun in Hong Kong, and rue de Turenne in Paris.
- He values Genius Loci as an antidote to the white cube.
- De Carlo cites Chiaravalle Abbey, Rothko Chapel, and Kolumba Museum as sacred spaces.
- He launched MASSIMODECARLO Pièce Unique in Paris, showing one artwork at a time, 24/7, without openings or dinners.
- De Carlo predicts a 'gaseous' future and urges a change in lifestyle regarding the planet.
Entities
Artists
- Massimo De Carlo
- Maurizio Cattelan
Institutions
- MASSIMODECARLO
- Artribune
- Casa Corbellini-Wassermann
- Tai Kwun
- Rothko Chapel
- Kolumba Museum
- Chiaravalle Abbey
Locations
- Milan
- Italy
- London
- United Kingdom
- Hong Kong
- China
- Paris
- France