Massimo Cacciari's New Book Explores Marian Iconography in Art History
In the 'Icone' series by Il Mulino, philosopher Massimo Cacciari has released 'La passione secondo Maria' (The Passion According to Mary). This work examines Piero della Francesca's 'Madonna del parto' (1455–1465), emphasizing two angels that share similar features but wear robes of different colors. Cacciari portrays the Madonna as a guardian figure, with a central cut representing the universe. He draws parallels between Christ's likeness in 'Resurrection' and the Madonna of Monterchi, highlighting their balance and tension. Additionally, he cites Masaccio's 'Crucifixion' (1426) to illustrate Mary's response to Christ's agony, while also delving into the bond between Mary and Christ, notably referencing Michelangelo's 'Pietà' in St. Peter's Basilica as a key representation of their connection.
Key facts
- Massimo Cacciari published 'La passione secondo Maria' in the 'Icone' series by Il Mulino.
- The book analyzes Piero della Francesca's 'Madonna del parto' (1455–1465).
- Cacciari compares Christ's face in 'Resurrection' in Sansepolcro with the Madonna of Monterchi.
- He references Masaccio's 'Crucifixion' of 1426 to discuss Mary's reaction.
- Michelangelo's 'Pietà' in St. Peter's Basilica is discussed as a key depiction.
- The book explores the coexistence of Mary and Christ as brother and spouse.
- Cacciari describes the two angels in 'Madonna del parto' with different colored robes.
- The work is a philosophical and theological analysis of Marian iconography.
Entities
Artists
- Massimo Cacciari
- Piero della Francesca
- Masaccio
- Michelangelo
Institutions
- Il Mulino
- Artribune
Locations
- Sansepolcro
- Monterchi
- St. Peter's Basilica