Martha Tuttle's Critical Analysis of Byron Kim's Work Published on artcritical

On January 31, 2017, artcritical published Martha Tuttle's examination of Byron Kim's artistic practice. The piece explores Kim's conceptual approach to color, identity, and abstraction through his ongoing series "Sunday Paintings." Tuttle analyzes how Kim's work engages with themes of race, memory, and the everyday, drawing connections between his monochromatic panels and personal experience. The article situates Kim within contemporary conversations about minimalism and representation, noting his use of skin tones and domestic materials. Published through WordPress, the critical review highlights Kim's methodical process and the subtle political dimensions of his seemingly formal investigations. Tuttle's writing provides insight into how Kim transforms mundane observations into profound meditations on human difference and connection.