Mark Lewis on Depiction, Composition, and Sargent's Nudes in Afterall Issue 32

Issue 32 of Afterall Journal features a foreword by Mark Lewis, who reflects on a meeting held in Chicago with partners Stephanie Smith, the University of Chicago Open Practice Committee, and the Smart Museum. The discussion focused on the emphasis placed on representational forms in modern art. Lewis draws a connection to Richard Ford's 2012 novel Canada, asserting that all images are intricate arrangements. During his visit to the Art Institute of Chicago, he noted the lack of Edward Hopper's works but found two pieces by John Singer Sargent: Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver (1876/78) and Study from Life (1891). He raises questions about the historical context of nude portrayals and reaffirms the journal's dedication to ongoing dialogue.