Mark Justiniani's Philippine Pavilion at 2019 Venice Biennale Features Archipelago-Like Installation
Mark Justiniani is set to showcase his work for the Philippines at the 2019 Venice Biennale, presenting an installation in the Arsenale that features three metal-wrapped biomorphic forms, akin to bio-mechanical creatures. These structures, encased in glass membranes, unveil inner environments that mirror community dynamics, symbolizing a nation confronting fragmentation while striving for historical insight. Justiniani highlights local stories while recognizing their broader implications. He expresses pride in representing his homeland but remains wary of placing too much emphasis on representation. The Philippines made its Biennale debut in 1964 and returned in 2015 after a 51-year hiatus. The event will take place from May 11 to November 24, marking Justiniani's inaugural participation.
Key facts
- Mark Justiniani represents the Philippines at the 2019 Venice Biennale
- The Philippine pavilion is located in the Arsenale
- The installation features three biomorphic structures resembling bio-mechanical organisms
- Structures are covered with transparent glass membranes revealing inner cross-sections
- The work tells stories of national fragmentation and identity
- Philippines first participated in Venice Biennale in 1964
- There was a 51-year gap before the country returned in 2015
- The 2019 Venice Biennale runs from May 11 to November 24
Entities
Artists
- Mark Justiniani
Institutions
- ArtReview
- Venice Biennale
- Philippines Pavilion
Locations
- Venice
- Italy
- Arsenale
- Philippines