Marisa Merz's Living Sculptures Reexamined Through Pandemic Lens
In 1966, Marisa Merz created her 'Living Sculptures' by looping aluminum strips into various forms within her home in Turin, blending art with family life. As key figures in the Arte Povera movement, the Merz family interacted with these works daily, which sprawled across furniture and ceilings. Archive images depict the sculptures overtaking their living space. Merz showcased her work at Galleria Sperone in Turin in 1967, where the pieces hung from floor to ceiling. Another display at Galleria Civica d'Arte Moderna featured a solitary strip among traditional artworks. The sculptures were also featured in Tonino De Bernardi's 1967 film 'Il Mostre Verde.' Smaller versions are part of the Tate collection and were exhibited at the Venice Biennale. An online exclusive was released on 17 April 2020.
Key facts
- Marisa Merz created 'Living Sculptures' in 1966
- The sculptures were made of aluminum strips formed into tubular structures
- They were initially installed in Merz's Turin home, intertwining with domestic life
- Merz and her husband Mario were Arte Povera pioneers
- The work was exhibited at Galleria Sperone in Turin in 1967
- Installations also occurred at Galleria Civica d'Arte Moderna in Turin and The Piper Pluri Club
- The sculptures appeared in Tonino De Bernardi's 1967 film 'Il Mostre Verde'
- Germano Celant's 1967 Arte Povera manifesto omitted Merz
Entities
Artists
- Marisa Merz
- Mario Merz
- Beatrice Merz
- Germano Celant
- Tonino De Bernardi
Institutions
- Galleria Sperone
- Galleria Civica d'Arte Moderna
- The Piper Pluri Club
- Tate
- Venice Biennale
- ArtReview
Locations
- Turin
- Italy