ARTFEED — Contemporary Art Intelligence

Mario Sironi Through the Eyes of Two Collectors at Galleria Russo

exhibition · 2026-04-27

Galleria Russo in Rome presents a Mario Sironi exhibition filtered through the perspectives of two major collectors: Margherita Sarfatti, who considered him the greatest Italian artist of his era and owned hundreds of his works, and Ada Catenacci, a friend who purchased numerous pieces in 1946, including a folder of 346 political drawings for Il Popolo d'Italia. The show documents Sironi's evolution from Divisionist beginnings under Balla alongside Boccioni and Severini, through Futurist Dionysianism, his illustration work, urban peripheries blending metaphysical vision and social tension, Apollonian classicism of Novecento, and postwar compositions approaching Informalism. A quote from critic Luigi Tallarico, who died three months ago, honors his passion for Sironi's poetics.

Key facts

  • Exhibition at Galleria Russo in Rome focuses on Mario Sironi
  • Filtered through collectors Margherita Sarfatti and Ada Catenacci
  • Sarfatti considered Sironi the greatest Italian artist of his era
  • Sarfatti collected hundreds of Sironi's works
  • Catenacci bought a folder of 346 political drawings for Il Popolo d'Italia in 1946
  • Sironi was a student of Balla alongside Boccioni and Severini
  • Show covers Sironi's phases from Divisionism to postwar Informalism
  • Critic Luigi Tallarico died three months ago

Entities

Artists

  • Mario Sironi
  • Margherita Sarfatti
  • Ada Catenacci
  • Giacomo Balla
  • Umberto Boccioni
  • Gino Severini
  • Luigi Tallarico
  • Fabio Benzi

Institutions

  • Galleria Russo
  • Il Popolo d'Italia
  • Partito Nazionale Fascista
  • Artribune

Locations

  • Rome
  • Italy
  • Sassari
  • Milan

Sources