ARTFEED — Contemporary Art Intelligence

Mario Airò's Neolithic Dreamscape at Vistamarestudio

exhibition · 2026-05-04

Mario Airò's first solo show at Vistamarestudio in Milan, titled "Il mondo dei fanciulli ridenti," presents a symbolic vision of contemporary society by invoking a return to the Neolithic as a Golden Age. The exhibition's centerpiece is an environmental installation featuring a green PVC floor, typical of sports fields, with a cut-out plan of the Stonehenge cursus. According to Neolithic culture, this monument traced the "ford" of a whirlwind, seen not as a calamity but as a good omen for fertility, as explained by an English archaeologist's essay that inspired Airò's title. In the gallery's basement, a second site-specific installation, "Incubation place #3," creates an almost lunar environment with germinating elements and sand mounds topped with colored honey spoons. Airò's work merges nature and culture, akin to a book whose pages give rise to sea snails.

Key facts

  • Mario Airò was born in Pavia in 1961.
  • The exhibition is his first solo show at Vistamarestudio in Milan.
  • The title comes from an environmental installation with a green PVC floor.
  • The floor features a cut-out plan of the Stonehenge cursus.
  • The Neolithic interpreted the whirlwind as a good omen for fertility.
  • The basement hosts 'Incubation place #3', a site-specific installation.
  • The installation includes sand mounds and colored honey spoons.
  • The show was reviewed by Giusi Affronti.

Entities

Artists

  • Mario Airò
  • Giusi Affronti

Institutions

  • Vistamarestudio
  • Artribune

Locations

  • Milan
  • Italy
  • Pavia
  • Stonehenge
  • England

Sources