Mario Airò's Neolithic Dreamscape at Vistamarestudio
Mario Airò's first solo show at Vistamarestudio in Milan, titled "Il mondo dei fanciulli ridenti," presents a symbolic vision of contemporary society by invoking a return to the Neolithic as a Golden Age. The exhibition's centerpiece is an environmental installation featuring a green PVC floor, typical of sports fields, with a cut-out plan of the Stonehenge cursus. According to Neolithic culture, this monument traced the "ford" of a whirlwind, seen not as a calamity but as a good omen for fertility, as explained by an English archaeologist's essay that inspired Airò's title. In the gallery's basement, a second site-specific installation, "Incubation place #3," creates an almost lunar environment with germinating elements and sand mounds topped with colored honey spoons. Airò's work merges nature and culture, akin to a book whose pages give rise to sea snails.
Key facts
- Mario Airò was born in Pavia in 1961.
- The exhibition is his first solo show at Vistamarestudio in Milan.
- The title comes from an environmental installation with a green PVC floor.
- The floor features a cut-out plan of the Stonehenge cursus.
- The Neolithic interpreted the whirlwind as a good omen for fertility.
- The basement hosts 'Incubation place #3', a site-specific installation.
- The installation includes sand mounds and colored honey spoons.
- The show was reviewed by Giusi Affronti.
Entities
Artists
- Mario Airò
- Giusi Affronti
Institutions
- Vistamarestudio
- Artribune
Locations
- Milan
- Italy
- Pavia
- Stonehenge
- England