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Marilyn Monroe's enduring artistic legacy explored in new National Portrait Gallery exhibition and book

exhibition · 2026-05-05

A new exhibition and book titled 'Marilyn Monroe: a Portrait' at the National Portrait Gallery in London (4 June–6 September) examines Monroe as a subject in visual arts beyond film. Curated and edited by Rosie Broadley, the project includes works by Andy Warhol, Pauline Boty, Marlene Dumas, James Gill, and Rosalyn Drexler. Warhol's 1962 silkscreen 'Green Marilyn' and his first portrait 'Gold Marilyn Monroe' (1962) are highlighted, the latter enshrining her like a Byzantine saint. Willem de Kooning's 1954 painting 'Marilyn Monroe' is noted as the only work in his 'Woman' series named after a specific individual. The show also features works by Rosalyn Drexler, including 'Marilyn Pursued by Death' (1963), and experimental pieces by Philippe Halsman (with Salvador Dalí) and Joseph Cornell. British artist Pauline Boty's 'The Only Blonde in the World' (1963) is included, aiming to raise her profile in the US. The book includes contributions from art historian Griselda Pollock, who discusses Lee Krasner's 'Sun Woman I' (1957) as capturing Monroe's energy. Monroe's agency in shaping her image is emphasized, particularly her collaboration with photographer Eve Arnold. The exhibition runs alongside a 256-page book published with the Marilyn Monroe estate.

Key facts

  • Exhibition 'Marilyn Monroe: a Portrait' opens at National Portrait Gallery, London, 4 June–6 September.
  • Curated by Rosie Broadley, who also edited the accompanying book.
  • Includes works by Andy Warhol, Pauline Boty, Marlene Dumas, James Gill, Rosalyn Drexler, and others.
  • Warhol's 'Gold Marilyn Monroe' (1962) is described as enshrining Monroe like a Byzantine saint.
  • Willem de Kooning's 1954 painting 'Marilyn Monroe' is the only work in his 'Woman' series named after a specific individual.
  • Rosalyn Drexler's 'Marilyn Pursued by Death' (1963) conveys the brutality of Monroe's world.
  • Philippe Halsman collaborated with Salvador Dalí on 'Marilyn Monroe as Chairman Mao Zedong' (1952).
  • Joseph Cornell's 'Custodian—M. M.' (1962) is a tribute to Monroe.
  • Pauline Boty's 'The Only Blonde in the World' (1963) is shown to increase her US recognition.
  • Griselda Pollock contributes to the book, discussing Lee Krasner's 'Sun Woman I' (1957).
  • Monroe's collaboration with photographer Eve Arnold is highlighted as demonstrating her agency.
  • Book published by National Portrait Gallery and estate of Marilyn Monroe, 256pp, £40 (hb), £29.95 (pb).

Entities

Artists

  • Rosie Broadley
  • Andy Warhol
  • Pauline Boty
  • Marlene Dumas
  • James Gill
  • Rosalyn Drexler
  • Willem de Kooning
  • Sam Shaw
  • Arthur Miller
  • Eve Arnold
  • Philippe Halsman
  • Salvador Dalí
  • Joseph Cornell
  • Alex Margo Arden
  • Issy Wood
  • Griselda Pollock
  • Lee Krasner
  • Marilyn Monroe

Institutions

  • National Portrait Gallery
  • Museum of Modern Art
  • Marilyn Monroe estate
  • Tate

Locations

  • London
  • United Kingdom
  • United States
  • New York
  • Amagansett
  • Long Island

Sources