Margrét Helga Sesseljudóttir's Intimate Sculptural Installations Explore Corporeal Melancholy
Margrét Helga Sesseljudóttir draws inspiration from Carolee Schneemann's tradition of bodily art, blending performance, photography, found materials, and painting into her sculptural works. One notable piece showcases a self-portrait within a solarium, affixed to a plastic tent and connected to a gold-painted chariot-like form. In a striking installation, the artist reclines face-down on a leather IKEA sofa, clad in white panties and socks, surrounded by whimsical sculptures and small jelly puddings. A prominent feature is a large photograph of a man masturbating in a family vehicle in Reykjavík, captured from a bus. Her creations evoke a sense of melancholy and are described as profoundly personal. This profile appeared in the March 2014 FutureGreats edition of ArtReview, in collaboration with EFG International.
Key facts
- Margrét Helga Sesseljudóttir is an artist working across multiple mediums
- Her work connects to the corporeal art tradition of Carolee Schneemann
- She creates sculptural compositions using performance, photography, found objects, and painting
- One installation features the artist lying motionless on a sofa with jelly puddings for hours
- A centerpiece photograph shows a man masturbating in a car in Reykjavík
- Her work combines artificial materials with a natural, unforced quality
- The artist is described as putting unspoken longing into form through her work
- The profile was published in ArtReview's March 2014 FutureGreats issue
Entities
Artists
- Margrét Helga Sesseljudóttir
- Carolee Schneemann
Institutions
- ArtReview
- EFG International
Locations
- Reykjavík
- Iceland