Márcio Seligmann-Silva Explores Decolonial Art and Post-National Politics in Brazilian Publication
Márcio Seligmann-Silva contributes to Arte Brasileiros with writings on decolonial theory and art. His work addresses breaking the complicity between aesthetic devices and colonial structures. He explores concepts like de-othering and imagines a post-national politics that fosters new subjectivities. The text references the COVID-19 pandemic, discussing dreams beyond apocalyptic scenarios through metaphors like colorful parachutes. These ideas are part of broader discussions in contemporary art and critical theory, emphasizing transformative potential in cultural production. The publication appears in a Brazilian art context, focusing on intellectual and artistic discourse without specifying dates or events.
Key facts
- Márcio Seligmann-Silva is an author writing for Arte Brasileiros
- The content discusses decolonial art and theory
- It addresses breaking complicity between aesthetics and colonialism
- Concepts include de-othering and post-national politics
- New subjectivities are imagined through these frameworks
- The COVID-19 pandemic is referenced in the context of dreams
- Metaphors like colorful parachutes are used
- The publication focuses on Brazilian art and intellectual discourse
Entities
Artists
- Márcio Seligmann-Silva
Institutions
- Arte Brasileiros
Locations
- Brazil