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Marcela Iacub's 'De la pornographie en Amérique' Examines U.S. Sexual Censorship

publication · 2026-04-23

In her essay 'De la pornographie en Amérique,' jurist Marcela Iacub analyzes how the United States, despite having one of the world's most liberal constitutions protecting free speech, became a highly repressive democracy regarding sexual content. She traces the legal evolution through key Supreme Court decisions: in 1957, 'obscenity' was excluded from protected speech for allegedly arousing 'lascivious interest'; later, the vague notion of 'indecency' further limited expression; and in 1982, 'child pornography' was invented as a category. Iacub argues that this concept extends so far that even a nude or semi-nude image of a minor is deemed pornographic, without depicting any sexual act. She criticizes the logical leap where judges consider the child to be continuously abused by anyone viewing or possessing the images, as if 'the referent is in the signifier.' This conflation of word and thing, image and reality, leads to censorship of writings and fantasies, not just acts. Iacub's work highlights how sexual taboos remain primary targets of prohibition, even in democracies, and warns of a totalitarian logic akin to Orwell's prophecy.

Key facts

  • Marcela Iacub is a jurist and essayist.
  • Her essay 'De la pornographie en Amérique' was published.
  • The essay examines U.S. censorship of sexual content.
  • In 1957, the Supreme Court excluded 'obscenity' from protected speech.
  • The concept of 'indecency' was later used to limit expression.
  • In 1982, 'child pornography' was legally defined.
  • Iacub argues that the category extends to nude images of minors without sexual acts.
  • She criticizes the logic that the child is abused by viewers of images.

Entities

Artists

  • Marcela Iacub

Institutions

  • Cour suprême des États-Unis
  • art press
  • L'Infini
  • France-Culture

Locations

  • États-Unis
  • Amérique

Sources