Marcel Duchamp and the Seduction of the Copy at Peggy Guggenheim Collection
The Peggy Guggenheim Collection in Venice presents 'Marcel Duchamp and the Seduction of the Copy', the first museum exhibition focused on Duchamp's obsession with replicating and reproducing his own work. Curated by Paul B. Franklin, the show explores the dialectic between original and copy through over 200 works, including loans from Italian and international museums and a significant selection from the Attilio Codognato collection, much of which is publicly exhibited together for the first time. The centerpiece is Duchamp's 'Boîte-en-valise' (Box in a Valise), a leather suitcase containing miniature reproductions of his masterpieces, originally made for Peggy Guggenheim. The exhibition highlights Duchamp's view of copying as a creative act, challenging Platonic aesthetics and Walter Benjamin's concept of aura. It also presents rare biographical documents and interviews, revealing Duchamp as an innovative artisan rather than purely conceptual. The show runs through March 2024.
Key facts
- Exhibition 'Marcel Duchamp and the Seduction of the Copy' at Peggy Guggenheim Collection, Venice
- Curated by Paul B. Franklin
- First museum show focused on Duchamp's obsession with replication
- Features Boîte-en-valise, a portable museum of 69 reproductions plus one original
- Includes major loans from Attilio Codognato collection, exhibited publicly together for first time
- Duchamp introduced Peggy Guggenheim to modern art and advised her collection
- Exhibition challenges Platonic mimesis and Benjamin's aura theory
- Duchamp stated in 1961: 'I do not want to destroy art for others, only for myself'
Entities
Artists
- Marcel Duchamp
- Rrose Sélavy
- Louise Bourgeois
- Peggy Guggenheim
- Attilio Codognato
- Paul B. Franklin
- Walter Benjamin
- Plato
Institutions
- Peggy Guggenheim Collection
- Artribune
- Louis Vuitton
- Università Bocconi
Locations
- Venice
- Italy
- Blainville-Crevon
- Neuilly-sur-Seine
- Milano