Mao Tongqiang's First Italian Solo Shows in Lucca and Milan

Chinese artist Mao Tongqiang (born 1960, Ningxia) presents his first Italian solo exhibitions, staged simultaneously in Lucca and Milan. In Lucca, the historic Church of San Matteo is transformed into an immersive installation featuring hundreds of Bibles arranged on carpets and stools, creating a disorienting sacred space that critiques the intersection of Western Christianity, capitalism, and seriality. The work engages with the contemporary 'Historiographic Turn,' reinterpreting archival impulses without philological context but with psychological depth. In Milan, a separate exhibition at a private archive space explores spirituality through the absorption of exhibition space, lamenting the lyricism of a single unknowable datum within infinite pages. The shows are organized by Prometeogallery. The article is written by Federica Maria Giallombardo.