Mai più senza: Festival dell'assurdo explores absurdity in art, design, and technology
The second iteration of 'Mai più senza – Festival dell'assurdo' in Milan delves into the realm of absurdity across visual arts, design, and technology. This event features a market exhibition, film showings, musical acts, performances, workshops, games, conferences, and themed culinary offerings. Its goal is to establish an 'archive of the absurd.' Historical art references include Meret Oppenheim's 1936 piece 'Breakfast in Fur,' Jean Tinguely's self-destructing creation, and Christo's wrapping of the Reichstag. Design highlights showcase Bruno Munari's 'Useless Machines' and Jacques Carelman's 1969 'Catalogue of Unfindable Objects.' Additionally, it examines technology's misapplications, such as abstract browsers and tweeting skateboards, while also acknowledging internet memes and viral performances. The festival encourages contemporary absurd creations.
Key facts
- Second edition of 'Mai più senza – Festival dell'assurdo' in Milan
- Festival includes market exhibition, film, music, performances, workshops, games, conferences, themed food
- Aims to create an 'archive of the absurd'
- Meret Oppenheim's 'Breakfast in Fur' (1936) cited as surrealist object
- Jacques Carelman's 'Catalogue of Unfindable Objects' published in 1969
- Dominic Wilcox designs inventions for nonexistent problems
- Internet memes and viral performances as contemporary absurdity
- Useless crowdfunding example: potato salad raised $50,000
Entities
Artists
- Meret Oppenheim
- Jean Tinguely
- Yves Klein
- Gino De Dominicis
- Francis Alÿs
- Christo
- Erwin Wurm
- Hector Zamora
- Elmgreen & Dragset
- Bruno Munari
- Jacques Carelman
- Dominic Wilcox
- Alfred Jarry
- Valentina Tanni
Institutions
- Collège de Pataphysique
- Artribune
- Politecnico di Milano
- NABA – Nuova Accademia di Belle Arti
Locations
- Milan
- Italy
- Paris
- France
- Berlin
- Germany
- Bogotá
- Colombia
- Zurich
- Switzerland