Mahsa Salali on Improvised Performance, Iranian Rituals, and Collective Space MYTO

Mahsa Salali, an Iranian-British artist based in London, emphasizes improvisation and physical movement in her work, steering clear of traditional choreography. In her 2025 performance THE CALL – MUBĀH مباح at Whitechapel Gallery, she featured seven female double bass players, highlighting gender inequalities in orchestras and paying homage to Russian composer Galina Ustvolskaya. The use of materials such as chains and rocks is laden with cultural significance: chains symbolize Iranian Islamic rituals during Muharram, while rocks reference historical femicide through stoning. Salali’s piano and sound art background shapes her structural methods, which include preparation through hypnotherapy, meditation, and ritual workshops. Engaging the audience as active participants, she co-founded MYTO with Andrea Obinna Pelagatti and Justin Rivera to create multidisciplinary events that support artists lacking institutional backing. She aspires to incorporate educational components like panel discussions to connect with younger audiences. A poignant moment occurred when her mother wept after a performance, revealing a touching vulnerability. This interview was originally published in Canvas 119: Body Language.