Macchiaioli Revolution Explored in Monza Exhibition
The Villa Reale in Monza hosts a new exhibition tracing the birth of en plein air painting and the Macchiaioli movement, coinciding with Italian unification and the Savoy's acquisition of the villa. Mayor Paolo Pilotto and culture assessor Arianna Bettin note the historical significance. The show begins with the movement's ties to the Barbizon School and artists like Corot, Breton, and Rousseau, whose landscape innovations influenced Italian painters at Florence's Caffè Michelangiolo and the Scuola di Staggia. In 1856, Telemaco Signorini developed the "macchia" technique—a method to capture light and tonal contrasts directly from nature. The exhibition explores connections between the Macchiaioli and photography, featuring works by Signorini, Giovanni Fattori, and others. It concludes with the movement's legacy, hinting at a potential sequel. The show offers a thorough art history lesson, though the entrance is poorly marked.
Key facts
- Exhibition at Villa Reale in Monza explores the Macchiaioli movement and en plein air painting.
- Mayor Paolo Pilotto and assessor Arianna Bettin highlight the link to Italian unification and Savoy's possession of the villa.
- Show begins with the Barbizon School, featuring Corot, Breton, and Rousseau.
- Macchiaioli innovations spread from France to Italy via artists at Caffè Michelangiolo and Scuola di Staggia.
- Telemaco Signorini introduced the 'macchia' technique in 1856.
- Works by Lega, Signorini, and Giovanni Fattori examine ties between Macchiaioli and photography.
- Exhibition concludes with the movement's legacy, suggesting a possible follow-up.
- Entrance is poorly marked for visitors arriving by road.
Entities
Artists
- Telemaco Signorini
- Giovanni Fattori
- Corot
- Breton
- Rousseau
- Charles Francois Daubigny
- Lega
Institutions
- Villa Reale di Monza
- Scuola di Barbizon
- Caffè Michelangiolo
- Scuola di Staggia
- Artribune
Locations
- Monza
- Italy
- Florence
- France
- Livorno
- Firenze
- Settignano