Lydia Ourahmane's Intimate Photographs at Galerie Chantal Crousel
Lydia Ourahmane's exhibition at Galerie Chantal Crousel in Paris presents a series of contact-sheet-style photographs that were never intended for public display. The images, pressed between glass, offer a porous and open view of her life and work. They include traces of past projects, both realized and unrealized, such as a film about a boy who stole her dog (abandoned after his death), a car on fire in the desert, and an elaborate effort to secure French nationality for her father. A standout image is a concrete airplane built by a man who died while finishing its wings. The photographs span geographies in Algeria: El Ayaïda, Oran, Algiers, and Tassili N'Ajjer. The exhibition also features soil smuggled from Oran eight years ago, now walked upon in the gallery. Ourahmane's work often explores smuggling as a theme, making visible what has been obscured. The show runs at Galerie Chantal Crousel in Paris.
Key facts
- Exhibition at Galerie Chantal Crousel, Paris
- Features contact-sheet photographs never meant to be seen
- Images include traces of past projects, realized and unrealized
- Concrete airplane built by a man who died finishing its wings
- Photographs span Algerian locations: El Ayaïda, Oran, Algiers, Tassili N'Ajjer
- Soil smuggled from Oran eight years ago is part of the exhibition
- Smuggling is a recurring theme in Ourahmane's work
- The show is about beginnings and making visible the obscured
Entities
Artists
- Lydia Ourahmane
Institutions
- Galerie Chantal Crousel
Locations
- Paris
- France
- Algeria
- El Ayaïda
- Oran
- Algiers
- Tassili N'Ajjer