Lucio Fontana's Ceramics Precede His Slashed Canvases
An exhibition at Galerie Karsten Greve in Paris reveals that Lucio Fontana's iconic slashed canvases were preceded by decades of ceramic work. The show, running until June 27, 2026, gathers Fontana's ceramics from the 1930s to 1960, including Torso Italico (1938), Coccodrillo (1936-37), Battaglia (1947), and early Concetti spaziali in clay. These works show Fontana perforating and slashing clay before transferring the gesture to canvas. The exhibition ends with the Natura series from the late 1950s—slashed spherical terracottas inspired by space exploration. Fontana's 1946 Manifiesto Blanco stated, "the painting must leave its frame," a concept literalized in his ceramics.
Key facts
- Exhibition at Galerie Karsten Greve, Paris, until June 27, 2026.
- Focuses on Lucio Fontana's ceramics from the 1930s to 1960.
- Includes Torso Italico (1938), Coccodrillo (1936-37), Battaglia (1947).
- Features early Concetti spaziali in ceramic with perforations.
- Concludes with Natura series (late 1950s): slashed spherical terracottas.
- Fontana's slashed canvases postdate his ceramic experiments.
- Fontana published Manifiesto Blanco in 1946.
- Galerie Karsten Greve is located at 5 rue Debelleyme, 75003 Paris.
Entities
Artists
- Lucio Fontana
Institutions
- Galerie Karsten Greve
Locations
- Paris
- France
- 5 rue Debelleyme, 75003 Paris