Louise Giovanelli's Cinematic Voyeurism at Frutta Gallery
Frutta Gallery in Rome presents a solo exhibition by London-based artist Louise Giovanelli (b. 1993), whose work explores voyeurism through oil painting. The show opens with a still from Michael Powell's 1960 film 'Peeping Tom', in which a murderer films his victims' dying expressions. Giovanelli translates this cinematic moment onto canvas in two identical, disorienting portraits of a silent woman. A labyrinth of mirrors adds further distortion, while the oil paint and color filters evoke social media aesthetics. Other works shift to geometric divisions of space, with intense, grave tones and occasional chromatic violence, as in 'Palisade' (2019). The interplay of color and composition channels passion and tension, reinforcing the theme of looking without touching.
Key facts
- Louise Giovanelli has a solo exhibition at Frutta Gallery in Rome.
- The exhibition features a still from Michael Powell's 1960 film 'Peeping Tom'.
- Giovanelli translates the film still into two identical oil paintings.
- The works explore voyeurism and the act of looking.
- The painting 'Palisade' (2019) is included in the show.
- Giovanelli was born in London in 1993.
- The exhibition uses mirrors to distort the viewer's perspective.
- The color palette includes intense, grave tones and electric chromatic bursts.
Entities
Artists
- Louise Giovanelli
- Michael Powell
Institutions
- Frutta Gallery
- Artribune
Locations
- Rome
- Italy
- London
- United Kingdom