Lothar Baumgarten retrospective at Galleria Franco Noero in Turin
Galleria Franco Noero in Turin hosts a posthumous solo exhibition of Lothar Baumgarten (1944–2018), conceived by the artist before his death. The show traces his career, highlighting the continuity of his conceptual research. Central to the exhibition are three major sculptures: 'Caimán, Nariz Blanca' (1989–2010), a SAAB 900 used by the artist that contains recordings of Yãnomãmi voices and forest sounds; '[Arché]_(Ark)' (1969–2016), a wooden ark covered in red and blue macaw feathers resting on an imaginary river of branches; and 'Ascheregen' (2017), part of a series reinterpreting the Prometheus myth. The gallery walls feature photographic works and mural paintings in dialogue with the sculptures. Baumgarten's practice merges exploration, anthropology, and ethnology, often focusing on the Yãnomãmi people with whom he lived in the upper Orinoco region on the Brazil-Venezuela border in the late 1970s. The exhibition runs at Galleria Franco Noero in Turin.
Key facts
- Lothar Baumgarten (1944–2018) solo exhibition at Galleria Franco Noero, Turin
- Exhibition conceived by Baumgarten before his death in 2018
- Show traces the artist's career and conceptual continuity
- Three major sculptures: 'Caimán, Nariz Blanca', '[Arché]_(Ark)', 'Ascheregen'
- 'Caimán, Nariz Blanca' is a SAAB 900 containing Yãnomãmi voice and forest sound recordings
- '[Arché]_(Ark)' (1969–2016) is a wooden ark with macaw feathers on a river of branches
- 'Ascheregen' (2017) reinterprets the Prometheus myth
- Baumgarten lived with Yãnomãmi people in the upper Orinoco region in the late 1970s
Entities
Artists
- Lothar Baumgarten
Institutions
- Galleria Franco Noero
Locations
- Turin
- Italy
- Rheinsberg
- Berlin
- Germany
- Orinoco
- Brazil
- Venezuela